Songwriting: Writing the Music vs Creative Writing Specialization

The course works through the musical half of songwriting in a focused, practical sequence: diatonic chords in a key, borrowed non-diatonic chords, common progressions and their emotional colour, 7th chords and added tensions, then harmonic and melodic rhythm and melodic hooks. Reviewers and Reddit users describe it as a genuinely useful, concrete walk through how harmony and melody carry emotion — "what the main chords are, simple substitutions, how to add colour, and how those decisions impact the emotion and focus of your song." Capped because it is the music-only companion piece: it assumes you bring lyrics and some theory of your own.

Scarlet Keys is a Professor of Songwriting at Berklee, a former Warner Chappell staff writer with a gold record in Sweden and a UK top-ten hit, and the author of The Craft of Songwriting. On the MOOC, learners find her clear and well-organised. The deduction comes from her wider teaching record: her Rate My Professors profile sits around 3.5/5 across 44 ratings and is polarised — many praise her as knowledgeable, accessible and supportive, while a minority feel she "teaches what she knows best" and is less strong outside her own genres. Strong on the MOOC, more divisive live.

Free to audit the full video curriculum; a certificate, graded assignments and peer review require paid enrollment or a Coursera Plus subscription. The Reddit consensus is to do exactly that — audit it free, work the exercises, and skip the certificate gate. For a Berklee-grade course in melody and harmony aimed squarely at songwriters, the free-audit route is very hard to beat on price.

Assignments ask you to apply chords, progressions and harmonic rhythm to your own song ideas and are assessed by peer review behind the upgrade paywall — pedagogically reasonable but operationally the weakest part, the same machinery that draws complaints across Berklee's Coursera catalogue. The bigger applied limitation is the prerequisite: the most-repeated criticism is that the course "will be frustrating for anyone who does not read music," so the hands-on work assumes notation fluency the marketing underplays.

The harmony and melody tools transfer directly to real writing across genres — Reddit users specifically recommend it to people who can write lyrics but freeze up on chords, and report applying progressions, substitutions and harmonic rhythm to their own songs straight away. It will not teach you production, arrangement or an instrument, and it pairs best with a lyrics course, so it is one strong pillar of a songwriting education rather than the whole building.

Four courses covering plot, character, setting/description and style — each four weeks, each taught by a different Wesleyan author with a National Book Award or PEN nomination — plus a capstone project that produces a completed short story or narrative essay. The breadth is real and the Craft of Style course is singled out across the corpus as genuinely stretching. Capped because the material is pitched at beginners; those who have already read Bird by Bird, On Writing or The Elements of Fiction will find little new ground.

Brando Skyhorse (PEN/Hemingway Award), Amity Gaige (Folio Prize shortlist), Salvatore Scibona (National Book Award finalist, Guggenheim fellow) and Amy Bloom (two-time National Book Award nominee) are a genuinely extraordinary teaching roster for a free- to-audit MOOC. Scibona's Craft of Style and Skyhorse's Craft of Plot are the most consistently praised. Amy Bloom's Craft of Character is the one course multiple reviewers describe as abstract and under-delivering on its promise.

Video lectures are free to audit; all graded writing assignments and peer feedback — the core learning mechanism — require either a Coursera Plus subscription (~$59/month) or financial aid. The financial-aid route is available and has been reported to cover costs fully. For learners who pay full price for the specialization, the credential does not carry formal creative-writing weight, which reduces the return. Value is highest for learners on financial aid who complete all five courses.

Each of the four craft courses has a weekly writing assignment with strict word limits — the single most praised pedagogical feature. However, assessment is entirely peer-to-peer: your work is reviewed by three other learners, and you review three peers' work. Multiple reviewers report that most peer feedback amounts to one or two words ("good," "nice") with no substantive critique. The capstone produces a real completed piece, but without instructor-led critique it can arrive unpolished.

The forced weekly practice under word-limit constraints is the most transferable skill the specialization builds. Finishing a piece every week — even a short one — is harder than most writers manage outside a structured course, and the constraint-based approach to style and setting is the kind of discipline that carries into real writing practice. Limit is genre: the specialization covers short fiction, narrative essay and memoir only — not poetry, screenwriting or genre fiction — and offers no agent-query, submission or publishing guidance.