Songwriting: Writing the Lyrics vs Urban Sketching | Drawing What You See

Four focused modules move from point of view and song form through prosody (matching lyric to music), rhyme types — perfect, family, assonance and consonance — and rhythm. The object-writing exercise is the standout that Berklee graduates like Gillian Welch credit as the single most valuable thing they took away. Reviewers repeatedly say it taught them more than books or workshops; capped only because it is lyric-focused and assumes you already make music elsewhere.

Pat Pattison is a Berklee professor of 40-plus years, author of Writing Better Lyrics and Songwriting Without Boundaries, and former teacher of John Mayer and Gillian Welch. His Coursera instructor rating is 4.8 from 184 ratings. Learners describe him as a gifted, passionate teacher whose examples make abstract ideas click — the most consistently praised element of the whole course.

Free to audit the full video curriculum; a certificate, graded assignments and peer review require paid enrollment or a Coursera Plus subscription. Reddit's consensus is that the free audit alone delivers most of the value, since you can do the exercises yourself and skip the certificate gate. Hard to beat for a Berklee-grade course.

Assignments are real lyric-writing tasks graded by peer review, which is pedagogically sound but operationally the weakest part. Multiple learners hit an upgrade wall at the first assessment, and the quality of peer feedback swings from genuinely useful to abusive or absent. The exercises themselves are excellent; the grading machinery around them is not.

The tools transfer directly to any genre — songwriters from hip-hop to country report applying object writing, rhyme families and structure to their own work. It will not teach you melody, production or an instrument, so it is one strong piece of a larger toolkit rather than a complete songwriting education.

Thirteen lessons across two hours and nine minutes cover simplifying a scene, identifying vanishing points, capturing movement, sketching people from a glance, framing architecture and incorporating watercolour. The content is intelligently chosen for beginners — it identifies the conceptual barriers to sketching on location and removes them one by one. Capped because the course covers one-point perspective only, the watercolour section is a single lesson rather than a parallel track, and intermediate sketchers will find the material too introductory.

Peggy Dean is the most-praised element across every source category in our sample by a significant margin. She is described as the best tutorial instructor one learner had encountered across thousands of YouTube videos. Her ability to explain the why behind each decision — not just the what — and her explicit permission-giving around imperfect sketches is cited as a confidence shift that outlasts any specific technique. She has 400,000-plus total students across 50-plus Skillshare courses and has appeared on the Today Show and Wall Street Journal.

Included in the Skillshare subscription at approximately $14/month (or ~$168/year billed annually) after a free trial. The same subscription unlocks all 50-plus of Peggy Dean's classes — botanical illustration, hand lettering, watercolour, nature drawing and more — plus thousands of other creative courses. A companion one-point-perspective urban sketching class is available for $12 as a standalone on her own website. The per-class value within a Skillshare subscription is very strong for creative learners who plan to take more than one class.

Each of the three urban scene demonstrations — alley stairs, street intersection, isolated bicycle — produces a complete, shareable sketch. The class project asks learners to produce their own urban scene sketch. The Skillshare projects tab provides hundreds of completed submissions to learn from. No instructor feedback is provided on submitted work; peer commentary is the only critique channel, and it is typically light.

Urban sketching is by definition a real-world practice — you take your sketchbook outside and draw what you see. Peggy Dean's specific focus on simplification, embracing imperfection and identifying vanishing points in actual street scenes transfers directly and immediately to outdoor sketching practice. Multiple learners describe attempting their first sketch on location the day of or day after completing the class. The limit is depth: one class is a launch pad, not a full urban- sketching education.