Figma Essential Training vs Graphic Design Basics: Core Principles for Visual Design

The course covers Figma essentials — file setup, frames, shapes, text, images, masks, layers, components, constraints, and a basic interactive prototype — in a logical, tightly paced sequence. The 2025 edition adds a section on Figma AI features, which reviewers welcomed. However, at 1h 37m it is genuinely thin: auto layout, variables, design systems, and developer handoff are absent. Multiple independent reviewers flag it as a starting point that must be supplemented, not a complete Figma education.

Garrick Chow spent over 15 years as a Senior Staff Instructor at LinkedIn Learning (formerly Lynda.com), authoring more than 200 video-based courses covering Adobe Creative Cloud, productivity tools, and design workflows. Learners across platform reviews consistently describe the teaching style as clear, demo-driven, and accessible without oversimplifying. The course's 4.7-out-of-5 star rating across nearly 7,000 learner ratings is a strong signal of execution quality at the instructor level.

LinkedIn Learning costs $29.99/month or $239.88/year (effective $19.99/month annually) as a standalone subscription; it is also included in LinkedIn Premium Career ($29.99/month) and available free via many public library cards. For learners who already have a LinkedIn Premium subscription, the course is essentially free and excellent value. For learners paying the standalone fee just for this course, the value is weak — 1h 37m of content at $29.99 for a single month is expensive per learning-hour compared to an equivalent Udemy course. The subscription unlocks 20,000+ other courses, which changes the equation significantly for prolific learners.

The course builds toward a functional multi-screen prototype using a restaurant app scenario, with one exercise file provided. Reviewers appreciated leaving the course with a completed mini-project. However, the exercise is instructor-led and offers limited creative latitude — learners replicate the instructor's screens rather than designing their own concept. For portfolio purposes, the output requires significant additional work to be genuinely presentable.

The skills taught — frames, components, constraints, basic prototyping — are genuinely foundational and immediately transferable to real Figma workflows. Reviewers confirm that even the older 2021 version's workflow concepts remain valid today because Figma's underlying design model has not changed. The main gap is that workplace Figma usage involves auto layout, design tokens, branching, and dev mode handoff, none of which the course covers.

The class condenses the most useful chapter of Lupton and Phillips's widely-assigned textbook "Graphic Design: The New Basics" into five tightly-edited lessons on symmetry, scale, framing, hierarchy, and grids. Reviewers consistently praise the quality and curation of the visual examples — many drawn from Lupton's curatorial work at Cooper Hewitt — and the way each principle is shown applied to real posters and layouts rather than abstract diagrams. The recurring limitation is depth: at 35 minutes the class introduces each concept rather than developing it, and reviewers who came in with any prior exposure describe the content as a strong refresher rather than new learning. There are no software walkthroughs, so the class teaches you what to look for, not how to execute it in a tool.

Ellen Lupton is one of the most credentialed instructors on the platform — Senior Curator of Contemporary Design at Cooper Hewitt, director of the Graphic Design MFA at the Maryland Institute College of Art, author of the bestselling "Thinking with Type," and a 2007 AIGA Gold Medal recipient for lifetime achievement. Co-instructor Jennifer Cole Phillips co-directs the same MICA MFA program. Reviewers single out the pairing as a genuine strength, noting that the two designers deliberately model disagreement — Lupton advocating for symmetry, Phillips for asymmetry — which gives beginners permission to treat the principles as tools rather than rules. The delivery is calm, articulate, and example-led; no reviewer in the corpus criticised the teaching itself.

The class has frequently been offered free, and is otherwise included in a Skillshare membership (roughly $14/month billed annually or about $32 monthly), which also unlocks Lupton's companion classes on typography and posters plus thousands of other design courses. For a 35-minute class the unit economics are excellent if you are already a member or catch it during a free window. The honest caveat reviewers raise is that you are paying a subscription for a very short class, so the value depends entirely on whether you use the wider library — a single 35-minute primer alone does not justify an ongoing subscription.

Skillshare's model is community-driven rather than mentored: there is a project gallery and discussion area, but no instructor office hours, graded feedback, or teaching assistants. Reviewers note that Lupton and Phillips do not actively respond in the class discussion, and that meaningful feedback depends on an active student community, which is inconsistent on shorter classes. The class project — apply the five principles to a piece of your own — is described as loosely briefed, leaving learners who wanted structured guidance to self-direct. This is a platform-level limitation rather than a fault of the instructors, but it is the weakest dimension of the experience.

The five principles are genuinely transferable — reviewers from marketing, photography, and self-taught design backgrounds report that the vocabulary of hierarchy, scale, and grids changed how they read and critiqued layouts immediately. Because the class is software-agnostic, what you learn applies whether you work in Figma, InDesign, Canva, or PowerPoint. The applicability ceiling is that the class builds critical literacy, not production skill: it sharpens your eye and gives you the language to explain design decisions, but you still need a tool-specific course and deliberate practice to turn that understanding into finished work.