Photography Masterclass: Your Complete Guide to Photography vs Creative Writing Specialization

Sixty-six hours of video covering aperture, shutter speed, ISO, manual mode, composition, lighting, multiple genres (landscape, portrait, wildlife, product, aerial), Lightroom and Photoshop make this one of the most comprehensive single beginner photography resources on Udemy. One student described it as "good and straight to the point and covers a lot of basic aspects you might need in photography and photo editing." The ceiling is that depth can feel thin for anyone beyond beginner level — breadth is prioritised over depth in every topic.

Phil Ebiner, a Loyola Marymount film school graduate teaching online since 2012, is praised across Reddit discussions for explaining complex concepts clearly and without ego, and for being responsive to student questions. The three-instructor format adds variety but a minority finds transitions between Ebiner, Shimizu-Jones and Carnahan slightly inconsistent in pacing.

At the near-constant Udemy sale price of $10–$20 the course is almost universally praised as exceptional value. Reddit users consistently recommend it specifically at that price — "worth the $20 I paid." The bundle includes a 276-page guidebook, over $100 of Lightroom presets and a student community. At the $119–$199 list price, however, the value case collapses and one reviewer explicitly tied their complaint to having paid full rather than sale price.

The course includes weekly photo challenges, shooting assignments and an exclusive peer-critique community — practical elements that beginners appreciate for structured practice. The ceiling is that there is no synchronous or live feedback mechanism, the community critique is self-organised, and experienced learners note the assignments do not push into advanced territory.

A business-of-photography section covering branding, portfolios, freelancing and wedding photography makes this course more practically oriented than most beginner courses. Real-world demonstrations across outdoor and indoor scenarios are a highlight. The business section is considered surface-level by more experienced learners, and advanced post-production is not covered in depth.

Four courses covering plot, character, setting/description and style — each four weeks, each taught by a different Wesleyan author with a National Book Award or PEN nomination — plus a capstone project that produces a completed short story or narrative essay. The breadth is real and the Craft of Style course is singled out across the corpus as genuinely stretching. Capped because the material is pitched at beginners; those who have already read Bird by Bird, On Writing or The Elements of Fiction will find little new ground.

Brando Skyhorse (PEN/Hemingway Award), Amity Gaige (Folio Prize shortlist), Salvatore Scibona (National Book Award finalist, Guggenheim fellow) and Amy Bloom (two-time National Book Award nominee) are a genuinely extraordinary teaching roster for a free- to-audit MOOC. Scibona's Craft of Style and Skyhorse's Craft of Plot are the most consistently praised. Amy Bloom's Craft of Character is the one course multiple reviewers describe as abstract and under-delivering on its promise.

Video lectures are free to audit; all graded writing assignments and peer feedback — the core learning mechanism — require either a Coursera Plus subscription (~$59/month) or financial aid. The financial-aid route is available and has been reported to cover costs fully. For learners who pay full price for the specialization, the credential does not carry formal creative-writing weight, which reduces the return. Value is highest for learners on financial aid who complete all five courses.

Each of the four craft courses has a weekly writing assignment with strict word limits — the single most praised pedagogical feature. However, assessment is entirely peer-to-peer: your work is reviewed by three other learners, and you review three peers' work. Multiple reviewers report that most peer feedback amounts to one or two words ("good," "nice") with no substantive critique. The capstone produces a real completed piece, but without instructor-led critique it can arrive unpolished.

The forced weekly practice under word-limit constraints is the most transferable skill the specialization builds. Finishing a piece every week — even a short one — is harder than most writers manage outside a structured course, and the constraint-based approach to style and setting is the kind of discipline that carries into real writing practice. Limit is genre: the specialization covers short fiction, narrative essay and memoir only — not poetry, screenwriting or genre fiction — and offers no agent-query, submission or publishing guidance.